I work in two practices that pull in different directions.
Photography takes me outward — into the world, into other people's lives. I shoot while traveling, drawn to unguarded moments: someone fully present in a place, a quality of light that won't last, the accidental geometry of a street. I'm looking for sincerity. After each trip I make an album — a way of giving shape to what we saw.
Painting draws me inward. In the studio I'm interested in structure and color strategy, but what I'm really after is the moment when a painting escapes its own logic — when something freer and less planned takes over. The painters I return to are the ones who understood that tension.
Both practices are searching for the same thing: a moment that holds.
2000 — 2025